Our interactive producer has lots of energy. It’s pretty much a requisite for making awesome stuff. Moving around the office all day long, dealing with multiple development partners and checking in (frequently) with the design crew.
I can’t really stress that last point enough. Luckily, our interactive design team has built this little tool to help: How Many Times Has Janine Come in Our Office Today.
Bookmark it, and try to keep up. It’s exhausting.
The dudes and dudettes here at the Square have been busy cooking up our latest offering to the Internet: America’s Green Oil Change.
We know what you’re thinking. “A green oil change?” In fact our development partners on this, Super Top Secret, pondered the same thing:
We know a green oil change sounds like an oxymoron but it’s an awesome oxymoron. In fact, we added it to our list of favorites. It’s right up there with boneless ribs, Christian gangster, firewater, lady boy, mobile home, real polyester and quiet riot.
Believe it people. So hit the site and do your part.
This photo, from a presentation I recently attended, speaks the truth. And you know what they say about the truth:
1.) It hurts.
2.) It will set you free.
Today, brands need to focus on engagement and connection. People don’t like advertising for a reason. I see this as an awesome opportunity.
A small crew of Red Square kids hit San Francisco this week, and among other business, we had the good fortune to attend and participate in the 4A’s Transformation 2010 Conference. No question communications is experiencing a renaissance, as Arianna Huffington stated on the first day of the conference, “we are living in the golden age of engagement.”
Nick Brien, soon to be head of McCann Worldgroup, gave a great presentation that I feel sums up where we stand as an industry. Bottom line: it’s still about the big marketing idea, but we’re going to have to become more adept at executing concepts across multiple emerging platforms.
I’ll share more thoughts and take-aways from our meetings soon. Oddly, no one from Rice-a-Roni spoke at the conference.
Hey Mom, look! We won some more trophies for our advertisements. Yesterday, the American Advertising Federation—Mobile Bay held their 2009 ADDY Awards.
The kids from the Square needed two trips to get the awards back to the office. We took home:
-Best of Print for our Senior Bowl posters
-Best of Broadcast for “Nuclear” for Van Kampen Investments
-8 of 9 Golds awarded
Good stuff. But perhaps the nicest recognition was that our man Stephean Grimes was named Art Director of the Year. Well deserved for a guy who works like a maniac and has a great attitude. (FUN FACT: Stephean can also grow a beard on command.)
One half of our in-house photography team (Rowe & Kiel) captured some of this year’s Mardi Gras celebration. Yes, we have Mardi Gras. In fact, we invented it. Boom. How you like us now?
Here’s some photographic evidence.
I like to properly digest Super Bowl ads. And here’s my review of this year’s batch: they were largely forgettable. Overall, most spots lacked strategic thought (advertainment arguments aside).
There were two that stood out, for me. Google’s “Parisian Love” and Snickers’ “Betty White.” Both felt on brand and had a clear strategy. And I believe creative execution of a solid strategy leads to better ad recall.
Let’s do a little experiment: four days later, what ads do you recall or like and why? Tell us.
MTV changed their logo. So what? Fine. I admit I haven’t cared much about MTV in a long, long time, but I still feel a little funny. MTV was my Sesame Street. I was raised by Martha Quinn, Alan Hunter, Headbangers Ball, Kurt Loder, Pauly Shore—all of them.
I loved MTV.
So the logo feels like my cooler older sister just got a facelift. It’s still her, but she kind of looks off. Very simply, it’s a refreshing of the mark rather than a redesign. And a facelift is just a nip here and tuck there, right? They’ve dropped the “music television” descriptor, which is appropriate. The “M” has been cropped and widened, and the stroke on “TV” has been cleaned up, which is nice. Creative Review notes the updated logo allows MTV to house imagery within the widened “M” letterform:
The space in the new logo will be used more to push its programming and its endless procession of reality TV micro-celebrities than as a canvas for artists, and animators as it once was.
Sweetness! I was hoping they’d figure out how to incorporate Snookie in their logo.
Bobby over at Kitsune Noir has some good observations regarding the evolution of a 30-year-old brand:
MTV has become a household name, those three letters alone. I don’t think I’ve ever heard someone call it Music Television before and I grew up in the 80’s. It’s the same as other major networks. You don’t get your news from the Cable News Network, you don’t tune into the Home Box Office to see True Blood and you don’t hate the National Broadcast Company for screwing over Conan. These three letter acronyms are culturally built-in at this point and after almost 30 years MTV deserves the same treatment.
Fair enough. I do think that many people will feel like this is absolute admission of a betrayal of the channel’s initial and core philosophy—playing music videos. Not that anyone has the patience to watch an entire music video these days.
Tina Exarhos, executive vice president of marketing and mulitplatform creative projects at the network, sums it up best:
I’ve been at MTV a long time, and as it was reinvented over the years and maintained sort of a fluid nature, we never touched our logo, which is sort of ironic. It’s a fantastic, iconic logo, but it wasn’t working for us in a way that we needed it to anymore. It needed to express more about what MTV is today, not what it was in 1981.
In other news, I am officially old.
There’s really only one day a year when people anticipate advertising—Super Bowl Sunday. That makes it a kind of television Mecca for adnerds.
So kids, it’s poll taking time: what’s your favorite Super Bowl commercial?
I love 2003’s Terry Tate: Office Linebacker spot for Reebok. “Hey Janice.”
On my Sunday search for inspiration on the Interwebs, I found this photo and laughed. Then I thought immediately of the most obsessive detail man in our agency, Willie. The dude completes a crossword puzzle every day. Not just occasionally. Every day. He knows words and rules.
In communication, words tend to be important. The classic less/fewer rule is a good example of a grammatical error that many of us make on a daily basis.
Thanks Willie. You help the agency operate more affectively. Kidding. Just kidding.
