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Posts Tagged ‘TV’

Thursday morning quarterback.

Thursday, February 11th, 2010

RED_POLL

I like to properly digest Super Bowl ads. And here’s my review of this year’s batch: they were largely forgettable. Overall, most spots lacked strategic thought (advertainment arguments aside).

There were two that stood out, for me. Google’s “Parisian Love” and Snickers’ “Betty White.” Both felt on brand and had a clear strategy. And I believe creative execution of a solid strategy leads to better ad recall.

Let’s do a little experiment: four days later, what ads do you recall or like and why? Tell us.

Em Tee Vee.

Thursday, February 11th, 2010

MTV_blog

MTV changed their logo. So what? Fine. I admit I haven’t cared much about MTV in a long, long time, but I still feel a little funny. MTV was my Sesame Street. I was raised by Martha Quinn, Alan Hunter, Headbangers Ball, Kurt Loder, Pauly Shore—all of them.

I loved MTV.

So the logo feels like my cooler older sister just got a facelift. It’s still her, but she kind of looks off. Very simply, it’s a refreshing of the mark rather than a redesign. And a facelift is just a nip here and tuck there, right? They’ve dropped the “music television” descriptor, which is appropriate. The “M” has been cropped and widened, and the stroke on “TV” has been cleaned up, which is nice. Creative Review notes the updated logo allows MTV to house imagery within the widened “M” letterform:

The space in the new logo will be used more to push its programming and its endless procession of reality TV micro-celebrities than as a canvas for artists, and animators as it once was.

Sweetness! I was hoping they’d figure out how to incorporate Snookie in their logo.

Bobby over at Kitsune Noir has some good observations regarding the evolution of a 30-year-old brand:

MTV has become a household name, those three letters alone. I don’t think I’ve ever heard someone call it Music Television before and I grew up in the 80’s. It’s the same as other major networks. You don’t get your news from the Cable News Network, you don’t tune into the Home Box Office to see True Blood and you don’t hate the National Broadcast Company for screwing over Conan. These three letter acronyms are culturally built-in at this point and after almost 30 years MTV deserves the same treatment.

Fair enough. I do think that many people will feel like this is absolute admission of a betrayal of the channel’s initial and core philosophy—playing music videos. Not that anyone has the patience to watch an entire music video these days.

Tina Exarhos, executive vice president of marketing and mulitplatform creative projects at the network, sums it up best:

I’ve been at MTV a long time, and as it was reinvented over the years and maintained sort of a fluid nature, we never touched our logo, which is sort of ironic. It’s a fantastic, iconic logo, but it wasn’t working for us in a way that we needed it to anymore. It needed to express more about what MTV is today, not what it was in 1981.

In other news, I am officially old.

Super Bowl Forty Something.

Saturday, February 6th, 2010

terry tate

There’s really only one day a year when people anticipate advertising—Super Bowl Sunday. That makes it a kind of television Mecca for adnerds.

So kids, it’s poll taking time: what’s your favorite Super Bowl commercial?

I love 2003’s Terry Tate: Office Linebacker spot for Reebok. “Hey Janice.”

Ruminations on Brand Conan.

Monday, January 25th, 2010

Tonight Show_blog

The recent dustup over NBC’s The Tonight Show with Conan O’Brien has been nothing short of entertaining. Show business aside, this little episode of popular culture offers a unique opportunity to witness challenger brand positioning and public perception unfold on a grand scale.

What I’ve found particularly interesting is the inordinate amount of public outrage at NBC (and Jay Leno) and the beloved, nearly deified status that Conan has attained with even the most fair-weather fans. I think it boils down to a couple of things: the public has an innate sense of fairness, they gravitate almost uniformly to the underdog or challenger, and they love it when the underdog exhibits real backbone.

Would I necessarily call Conan O’Brien an underdog? Probably not in a vacuum. In fact, Michael Ian Black articulates quite well the irony of feeling sorry for Conan in his blog post, Norma Rae:

How did a Harvard-educated, multi-millionaire late night talk show host magically transmogrify into a guy who got laid off at the local car plant? The overreaction to Conan’s departure has been kind of astounding; as a nation, are we really that concerned about who hosts “The Tonight Show,” a television program that stopped being culturally relevant around 1986?

When you consider the Conan brand in the late night television competitive environment, maybe he is a challenger brand. Rob Sheffield, in the latest issue of Rolling Stone, describes Jay Leno as the Godzilla of late night TV:

Leno’s got the stomach for fights. Like Paul McCartney, another nice guy wrongly dismissed as a cream puff, Jay made his bones in the sleaziest, nastiest showbiz shark pools on earth. He plays nice for the old ladies, but his street-fighting instincts are off the charts. He’s left plenty of carrion on the late-night highway. Arsenio Hall, Chevy Chase, Magic Johnson — Jay knocked them all off the air, and you can bet he still savors the memory of their death cries.

Whether Conan’s ratings would’ve been better had NBC not led in to his show with a watered-down and (in my opinion) not terribly funny hour of Jay Leno will never be answered. NBC’s decision to revert back to Leno is seemingly the late night equivalent of Coca-Cola’s decision to yank New Coke off the shelves. The experiment didn’t work. However, that logic doesn’t hold up because, unlike New Coke, Conan has cemented his iconic status with existing fans and endeared himself to millions more.

The public realized he was getting a raw deal. They saw Conan as a put-upon underdog, and they cheered when he pushed back with weeks of (in my opinion) hilarious barbs at his bosses at the network. The fact that Conan’s exit speech was heartfelt and genuine sealed his canonization:

To all the people watching, I can never thank you enough for your kindness to me, and I’ll think about it for the rest of my life. All I ask of you is one thing: please don’t be cynical. I hate cynicism — it’s my least favorite quality, and it doesn’t lead anywhere. Nobody in life gets exactly what they thought they were going to get. But if you work really hard and you’re kind, amazing things will happen.

It’s simple. People love an underdog with tremendous heart and nothing to lose. And that’s Conan O’Brien. The patron saint of failed late night programming.

We’re huge in France.

Wednesday, January 20th, 2010

VankTV

We love French people. And apparently they love us.* Our Van Kampen Investments “Give Smart” campaign was just featured on a French television program showcasing advertising from around the world.

If you are inclined to view our work with subtitles, this link is for you: click on the “L’Actu section” in the right nav.

*We think they love us. We don’t speak French, so we can’t be sure. But they are smiling before they introduce our work, so that’s gotta be a good sign, right? Any translations would be appreciated.

In the works: TV magic.

Friday, July 10th, 2009

dino_shoot

The kids at the Square have been very busy making alllllll kinds of TV magic for allllll kinds of great clients. Can’t really say too much at this point, so consider this a gratuitous teaser: talking dinosaurs, paleolithic armageddon, blindfolded-knife-throwing, plutonium, SWAT teams and tear gas.

Fun is an understatement. We’ll post more when we can.